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| Allen Henderson, Brenda Smith, Scott McCoy, Donald Simonson and Sharon Hansen | Choral Directors are from Mars and Voice Teachers are from Venus: ‘Sing from your Diaphragm,’ and Other Vocal Mistructions | |
| Allison Fromm, Alice Parker, and Nick Page | Singing from the Heart: Working with People of Different Abilities | |
| Amanda Weber | Recovery, Healing, & Wholeness: How Music Can Feed the Homeless | |
| Amelia Nagoski | Oneness of Thought and Gesture: Tai Chi for Conductors | |
| André de Quadros | Music of the Muslim World – Breaking the Barrier | |
|
Andrea Goodman,
Mary Ellen Junda, Jack Goodwin, Richard Coffey, David Anderegg |
I Can't Believe I Said That! ... or how do we speak to our singers? | |
| Carol Krueger and Michael Driscoll | Building Literacy and Musicianship Skills into the Choral Rehearsal: Tonal and Melodic | |
| Carol Krueger and Michael Driscoll | Building Literacy and Musicianship Skills into the Choral Rehearsal: Rhythm | |
| Catherine Davies | How to Make a Strong Case for the Value of Choral Music Education | |
| Christine Wineberg | Mainstreamed into Music | |
| Cindy Bell | Developing Critical Listening Skills for Undergraduates | |
| Constance Chase | Resonance in the Choral Voice: All Things are Possible | |
| David DeVenney | Locomotion: Using Eurhythmics in the Choral Rehearsal | |
| Doreen Rao | Leonard Bernstein and Choral Community-Making | |
| Father Stephen Concordia, O.S.B. | The New Gregorian Chant Performance Practice: Word, Melody, Neume | |
| James Jordan | Demystifying Conducting - Body Architecture and Body Kinesthetic-Keys to Expressive Conducting | |
| Jamie Hillman and André de Quadros | Choral Singing in Marginalized Communities: Documentation and Strategies | |
| Jason Thoms | The "Hows" and "Whys" of Therapeutic and Service Choirs | |
| John Walker | Choral Conductor and Organist: a Creative Partnership | |
| Joseph Buches and John Quinlan | Best Kept Secrets – Commission Gems from GALA Choruses | |
| Joshua Jacobson and André de Quadros | Middle East Harmonies – the challenges of programming | |
| Joy Hirokawa | The Thinking Rehearsal: Creating Independent Musicians in the Choral Setting | |
| Juan Tony Guzmán | Interpretation and Performance Practices in Latin American Choral Music | |
| Julian Ackerley | Boy Singers – Matters That Matter | |
| Mariana Farah | Beyond Salmo 150: The A Cappella Choral Music of Ernani Aguiar | |
| Mark Boyle | The Four Stages of Verbalization in the Choral Rehearsal | |
| Mark Trautman and Ana Hernandez | Sound as Prayer: Paperless Worship | |
| Michele Adams | Full Disclosure… A real life demonstration of choral music learning | |
| Michelle Graveline | Singing Bach with Agility - Strategies for Large Choirs | |
|
Miguel Felipe, Thomas Cunningham, Andrew Clark, Beth Willer, and Steven Sametz |
Commissioning: Engaging your Patrons, Singers, and Board in New Music | |
| Peggy Dettwiler | Sing in Style: Expand the Vocal Skills of Your Choir | |
| Peter Amidon and Mary Cay Brass | Forming an a cappella SATB Hospice Singing Group | |
| Philip Silvey | Fashioning compelling stories: Engaging singers through text narrative exploration | |
| Rachel Kramer and Catherine Roma | See How Opposites Attract When Music Is in the Middle | |
| Robert Hollingworth | Why Monteverdi? Recent discoveries that raise the composer’s profile above his contemporaries. | |
| Robert Lawrence | My Administration Wants a "Glee" Choir - What Do I Do? | |
| Stephanie Davis and Martha Banghart | Singing Locally, Giving Globally: Why Intergenerational Community Choirs Matter | |
| Steve Zegree | THE WOW FACTOR: Create It, Aspire It, Achieve It | |
| Steven Fisher | Ubuntu! Learning and singing South African music like South Africans! | |
| Steven Russell | Yoga for Conductors and Singers | |
| Tim Sharp | Mentoring in the Ensemble Arts: Helping Others Find Their Voice | |
| Victoria Furby | Individualized Assessment in the Choral Ensemble | |
| Wayne Abercrombie | Heart, Head, Hands: Self-Renewing Skills for Conducting/Ensemble Leading |
Last revised
May 01, 2012